Are you really glad to see me, darling? he whispered, overcome by the delight of this fond welcome. Rhoda was delighted to be allowed to gratify her natural taste for colour and adornment; and she shortly afterwards appeared in so elegant a dress, that Betty Grimshaw was moved to say to her brother-in-law, "Why, Jonathan, I'll declare if our Rhoda don't look as genteel as 'ere a one o' the young ladies I see! Why you're making quite a lady of her, Jonathan!" Mr. Diamond, again, took a different and more sympathising view of the poor preacher. But even he was very far from entertaining the same exalted admiration for Powell's character as was felt by Minnie. Matthew Diamond had an Englishman's ingrained antipathy to the uncontrolled display of feeling, from which Powell's Welsh blood by no means revolted. Diamond could never divest himself of a lurking notion that no man would publicly exhibit deep emotion if he could help it; and consequently he looked on all such exhibitions as rather pitiable manifestations of infirmity, or else as mere clap-trap and play-acting. Of the latter it was impossible to suspect Powell. Diamond had the touchstone of truthfulness within himself; and it sufficed to convince him that the preacher, however wild and mistaken, was sincere. "Yes," he said to Miss Bodkin, "there can be no doubt that the man's soul is as clear from guile as an infant's. But it is a pity he cannot suppress the outbursts of enthusiasm which exhaust him so much." Of course the man can come and say his say, he added, jerking his legs again impatiently under the sheltering mahogany, "especially as you say he is going away from Whitford directly." 天天综合网久久网_久久草视频_免费费很色视频大片_国内自拍久久久久影院 She smiled, or he thought she smiled, and that together with her reply enraged him. Odd as it may appear, there were limits to Mrs Keeling鈥檚 tact, or to state the matter in other terms, none to her curiosity. For a little while she resisted the incoming tide; but when Alice had informed her brightly for the third time that their train started at 11.29 next morning, she felt so strongly that a mother was her daughter鈥檚 proper confidante, that her tact retreated rapidly towards vanishing point. This kind of diversion of the vials of the doctor's wrath on to his wife's devoted head was no uncommon finale to any altercation in which the reverend gentleman happened not to be getting altogether the best of it. Mr. Millais was engaged to illustrate Framley Parsonage, but this was not the first work he did for the magazine. In the second number there is a picture of his accompanying Monckton Milne鈥檚 Unspoken Dialogue. The first drawing he did for Framley Parsonage did not appear till after the dinner of which I have spoken, and I do not think that I knew at the time that he was engaged on my novel. When I did know it, it made me very proud. He afterwards illustrated Orley Farm, The Small House of Allington, Rachel Ray, and Phineas Finn. Altogether he drew from my tales eighty-seven drawings, and I do not think that more conscientious work was ever done by man. Writers of novels know well 鈥?and so ought readers of novels to have learned 鈥?that there are two modes of illustrating, either of which may be adopted equally by a bad and by a good artist. To which class Mr. Millais belongs I need not say; but, as a good artist, it was open to him simply to make a pretty picture, or to study the work of the author from whose writing he was bound to take his subject. I have too often found that the former alternative has been thought to be the better, as it certainly is the easier method. An artist will frequently dislike to subordinate his ideas to those of an author, and will sometimes be too idle to find out what those ideas are. But this artist was neither proud nor idle. In every figure that he drew it was his object to promote the views of the writer whose work he had undertaken to illustrate, and he never spared himself any pains in studying that work, so as to enable him to do so. I have carried on some of those characters from book to book, and have had my own early ideas impressed indelibly on my memory by the excellence of his delineations. Those illustrations were commenced fifteen years ago, and from that time up to this day my affection for the man of whom I am speaking has increased. To see him has always been a pleasure. His voice has been a sweet sound in my ears. Behind his back I have never heard him praised without joining the eulogist; I have never heard a word spoken against him without opposing the censurer. These words, should he ever see them, will come to him from the grave, and will tell him of my regard 鈥?as one living man never tells another.